The Phantom of Mangal Pandey

We are at the Asian store, my wife and I, scanning the stack of DVDs for an interesting title. After a while I ask the owner if he has any new Hindi movies. He bends down and flicks out a DVD from under his counter: Mangal Pandey.

I hesitate. Ever since Inkspill declared, in no uncertain terms, that anyone who watches and likes Mangal Pandey is banned from visiting her blog, this scene has been haunting me. But I’m prepared.

“No, that must be a pirated version. I do not want it.” I tell the owner confidently.

“No sir, this is very different from the last movie you took. Here the camera is located at the centre of the theatre, so it won’t seem to you that you’re watching the movie from an angle.”

The last movie he’s referring to was Sarkar. Apart from being recorded by someone sitting at the corner of the theatre – which had the strange effect of the movie titles appearing in italics – it seemed as though the cameraman had set out to outdo Ram Gopal Verma in coming up with the most innovative of camera angles. The one before that – Bunty aur Bubli – was no better: the poor guy had gotten so carried away during the Kajrare-Kajrare number that he’d zoomed in on Aishwarya’s neckline, and we got to see little other than her busts heaving – with the camera moving – rhythmically to the beats.

“This time we’ll wait for the original.” I reply.

“But that will take a few months! The print is good, I guarantee. You need not pay if you don’t like the print.”

This is proving more difficult than I expected. I have to think of other reasons now.

“Actually, Inkyji has banned us from watching the movie.”

“Why?”

“Because … because the movie forces you to rise and leave.”

“Just because one person says something, you believe it? And who is this Inkyji?”

“Er… a friend. Yes. And she’s quite an expert on movies.”

“Really? Her expert advice is surely affecting our business – where does she live? In Sandhausen? Or Walldorf?”

“No, no.” I laugh. “She lives in Blogistan … Hindustan. Yes, she is quite influential. All the Desi Pundits refer to her reviews regularly. These days even directors come for her blessings before the release of their movie – they know that if her review is bad, the movie will flop.”

He shakes his head. “We have bought fourteen copies of Mangal Pandey, and no one wants to see it. Everyone is influenced by one person’s ideas – no individuality these days. But we have to adjust to these trends – can you give me the website where these reviews are available? Next time, we’ll look at the review and then decide how many copies to order.”

I spell out the address carefully – inkspillz.blogspot.com – while ignoring my wife’s impatient nudges that suggest we ought to be leaving.

“You can buy many copies of Iqbal.” I tell him, pushing away my wife’s hands that continue to nudge me. “Inkyji has some favourable comments on the movie and …”

Wife is now shaking me…”Wake up – it’s late! How much longer do you want to sleep?!”

I sit up on my bed and stare wide-eyed at the wall in front.

“It may be Sunday,” she continues, “but you need to clean up in the morning half so that we can sit comfortably in the afternoon and watch the movie.”

I turn towards the bedside table to look at the time. Next to the clock, half obscured by advertisements of the weekend newspaper, I spot the glossy label on the DVD: Mangal Pandey.

Flugtag

“Summer days like these have a certain quality of timelessness, isn’t it?”

I was sitting on the ground, legs stretched out, looking at small planes waiting for their turn to fly and entertain the large crowd that had gathered. The setting sun cast a golden hue on the hillside houses in the distance. Long shadows spread themselves on the grass, with clear outlines of people standing nearby. A warm breeze was blowing, and above us a plane did a somersault, turned over, and began to fly upside down.

R plucked a blade of grass and looked at me. “Very True” he said, with a grin.

We were in the fields on the edge of Walldorf, surrounded by people gathered this Sunday to watch amateur pilots from nearby towns display their flying skills. A while ago we had returned after a fifteen-minute flight on a Cessna. It was a small four-seater aircraft, one where you placed a foot on the wing to step on board. We flew over Heidelberg, over the castle and the Altstadt and the Neckar running next to it, all these elements appearing like tiny, precise models of their real counterparts.

Cessna

Presently a family was about to board another plane. They stood by the wing and posed for a photograph, before stepping in. Behind us a merry-go-round turned slowly. Long queues had formed at food stalls along the edge of the field. People sat eating on the tables nearby, and a few clapped occasionally at the announcement of another pilot about to take-off or land.

The shadows grew longer each minute, ticking away the afternoon. Soon it was time to leave.

* * *

Albums: FlugTag 2005 & Aerial Acrobatics

Books

I’m having difficulties reading the sixth Potter book. The first few chapters were crisp, but once Harry gets into The Burrow things get repetitive: everyone gets together, discuss familiar topics, go to Diagon Alley for another round of purchases, and then get on to Hogwarts Express. Although the setting this time is different – they are “at war”, hence things are much more gloomy – and there is a bit of mystery sprinkled here and there, I suddenly find myself weary of the whole plot. The conversations lack lustre and are long-winded; descriptions of settings lack depth; the magic is somehow missing. So far.

I’m aware that the book I just finished reading may be behind this reaction. Jumping from Pamuk to Rowling is probably not advisable for a reader who spends a few months with each work of fiction. So for the time being I’ve kept Potter aside, and taken up an author I’ve wanted to read for a long time: Kazuo Ishiguro. I’ve just begun A pale view of Hills, and I find myself strangely enchanted, sinking into the mind of Etsuko. No, I do not miss the wizards and witches.

* * *

We were at Frankfurt airport last weekend…..

Airportdisplay

….. to pick up Sister who was coming back from India.

Gateb

She brought with her loads of sweets (for Colours, who’s losing weight and needs to catch up), books (for me) and Stories-from-India (for all to share).

Back home, I opened the suitcase and took out the books. They were from my collection remaining in Bangalore, and among this set were those I wanted to bring during our last visit (but couldn’t, because books had to make way for masala packets and pickle bottles). I leafed through a few pages as I took out each book, and a few old memories came back.

Sophie’s World (Jostein Gaarder)

“As soon as Sophie had closed the gate behind her she opened the envelope. It contained only a slip of paper no bigger than the envelope. It read: Who are you?
Nothing else, only three words, written by hand, and followed by a large question mark.”

The Penguin Book of Modern Indian Short Stories

“We were not even acquainted. I wrote to you and you responded in the same impulsive manner. How shall I introduce myself to you? I hardly know myself how I grew up – motherless and close to Appa, who was always engrossed in work. The first thing I ever learnt was to forget myself.”
– from “Savitri” (P.S.Rege)

Ancient India (Textbook for class XI; NCERT)

“One of the most interesting aspects of the study of history is knowing the history of history writing itself.”

The Penguin Complete Sherlock Holmes

“Sherlock Holmes took his bottle from the corner of the mantelpiece, and his hypodermic syringe from its neat morocco case.”

Classics – a very short introduction

“The aim of Classics is not only to discover or uncover the ancient world; its aim is also to define and debate our relationship to that world. ”

The Penguin new writing in India

“Kushi straightens her wet sari, pulling it across her breasts and hunching her shoulders to hide the new, embarrassing curves of her body. Then reluctantly, knowing there’s no way around it, she comes over to her father, who grabs a handful of her hair and booms, “What the hell d’you think you’re doing?”
– from “The most beautiful picture in the world” (Sunil Gangopadhyay)

The writerly life (R.K.Narayan)

“Yesterday, at the self-service cafeteria, I made the mistake of waiting for someone to ask what I wanted. Today I know better. ”
– from “New York Days”

* * *

I’m reminded of a quote I’d read somewhere: “Solitude is a nice place to visit, but a bad place to stay.” Time to come out of my shell, and embrace community.

Swiss floods

Floods have devastated parts of Switzerland in the Bernese Oberland region we visited a couple of weeks back. The pictures seem unbelievable.

It is an unfortunate irony that I had referred to the "cultivated landscape" of Switzerland, highlighting how it added to the beauty of the surrounding scenery and made it attractive for ski-lovers in winter. Today, the same cultivated landscape, stripped off its trees and thus vulnerable to landslides, has caused unimaginable damage to people living in the surroundings.

Landslide3

Writing a review

It has been a week since I completed My Name is Red, and I do not yet know what to write about this book, and how. I could describe it in a few words – a grand masterpiece – but that wouldn’t tell you anything. I could write a page about it, like some of the reviews I read, but it would still be unsatisfactory.

There are many ways to approach a review. A form I like – but one I’ve rarely seen, perhaps due to its limited applicability and difficulty of composition – is where the review mimics the structure and tone of the work being reviewed, thus offering the reader an essence of the work: a portrait much more intimate than the detached sketch one finds in most reviews. So, for a book such as this one, the review would follow the novel’s narrative structure: an independent narrator who illustrates a part of the painting the book symbolizes…

I AM CALLED A REVIEWER

Since the last few days I have had a strange, recurring dream: I am woken up at an early hour by persistent knocking at the door. Opening it, I find a man from the palace, with a message from the Magnificent Sultan himself. His Excellency Our Sultan would like to know if the review of the work commissioned to me has been completed. I lower my head, partly in shame, partly in fear. Not yet, I reply, and the man goes away, carrying with him my answer that is bound to enrage Our Sultan.

The dream wakes me up, and I sleep fitfully the rest of the night. When morning arrives – by way of a ray of light that illuminates the room with the same strange brightness one sees in the beautiful eyes of Shirin as she gazes at the picture of handsome Hüsrev, the scene painted by the great Master Bihzad – I decide to pick up my pen and finish, once and for all, the review I have been struggling to put into words.

But tell me, dear reader, how do I review a work of such beauty?

How do I review a book with pages where every sentence contains a story, and where, as you move from one sentence to next you leap from one magical world into another, until, crossing this maze of stories and worlds, you begin to wish it had continued forever?

From what viewpoint do I review a work that is conveyed not just through words of people like you and me, but also through the sermon of a Dog, the lament of a Tree, the adventures of a Gold Coin, the boast of colour Red, the lecture of a proud Horse, the tale of two Dervishes, and the revelation of Satan himself?

How do I guide you into a book that takes you back into the middle-ages, through the winding streets of sixteenth-century Istanbul inhabited by blind beggars who know intimate details of who crossed their path, with whom, carrying what; by clothes peddlers with a bundle of clothes on their back and letters tucked to their waist, carrying love-notes from not one but many prospective husbands to the woman they love; by moneylenders who identify counterfeit gold coins by biting into them; by storytellers who entertain miniaturists after midnight in coffeehouses tucked away in remote corners; by Janissaries, those Turkish soldiers feared by all?

How do I outline the encounter between two radically different cultures this book is about, an encounter that speaks of a time when the culture of Islam, at its heights in the Medieval Ages, is struggling to hold on to its beliefs threatened by the diametrically opposite culture of the West, of Christianity?

How do I describe a book that conveys, through the resignation of a master miniaturist who has toiled for over half a century illustrating works and teaching pupils the art of painting in the ways of the old masters of Herat, the sad truth that their era is now over; that their magical works of art depicting the world as Allah saw it would be eclipsed by the Western method of painting reality as seen by Man, and hence be forgotten forever after?

How do I reveal the hidden, sinful treasures in these pages that liken the male tool to a reed pen and compare a woman’s mouth to an inkwell, pages where a miniaturist uses his reed pen to paint while his wife clings to the reed of his manhood?

How do I classify a work that is both a story of murder – a murder by a miniaturist who reveals to you the shame, guilt, pride and envy that flows through him, invoking your anger now and sympathy then, challenging you to identify him among other characters who speak to you – and a story of love – a love that has waited in the lonely corner of a young man’s heart for twelve long years, a period so long and painful that he no longer can recollect the face of his beloved he dearly loves?

No, this task is beyond me, or anyone else. Such beauty can only be experienced firsthand. So what exactly are you waiting for?

From Heaven Lake

I’m on a different journey these days. Travelling with Vikram Seth from Heaven lake, I’ve made my way through central China into Tibet, hitchhiking most of the way. It has been an exhilarating journey: across deserts, valleys, mountains and basins; encountering floods, extreme heat and cold, stubborn adherence of the Chinese to regulations, their curiosity towards a foreigner and their warm hospitality; experiencing the spectacular beauty of Chaidam Basin, the regal magnificence of the Potala and the melancholy ruins of a Buddhist temple in Lhasa; staring with wide-eyed disbelief at the ceremony where dead Tibetans are chopped, mixed with barley and fed to the eagles.

I’ve learned a bit about Seth too, on this journey. He’s a sensitive person, sometimes moved to tears by acts of kindness by Chinese folk. His knowledge of the Chinese language is enviable, and one cannot help admiring his capacity to negotiate and get what he wants from the regulation-bound Chinese authorities. His attitude – humble, compassionate and open-minded – makes him somewhat of an exception among writers (He does not denounce people or dismiss a culture the way Naipaul does, for instance. But that is perhaps an inappropriate example: Naipaul too is an exception, at the opposite end of the spectrum).

We’ve just left Lhasa, and are now making our way towards the Nepalese border. I look forward to this passage through Nepal – who knows what memories of the five childhood years I spent there will flash again before me.

Swiss Diary

[I promised you an account of our Swiss trip; it follows. As you read slowly through the narrative and gaze longingly at the accompanying pictures, savouring each vista and relishing every encounter, you shall journey into the mountains of Switzerland, catch a glimpse of swiss hospitality, experience the pleasures of a misty hike, and understand the balance between Tourism-Agriculture-Nature the Swiss have achieved.]

That Friday, as I placed our bags into the car booth, it occurred to me that we were doing what was so typically European: leaving office early on a Friday, packing bags, and driving out for a weekend holiday. Dad used to tell me about such trips we made in Ghana in the late 70s: come Friday, we – dad, mom and a four year old version of me – would start out, along with a few of his Dutch colleagues, for a nearby beach resort. Looking at those photographs as a teenager, I would wonder if I would ever get to live like that. Now that I do, I still miss the aura that surrounds those old memories; the past, like an old photograph whose edges get fuzzier each year, has always seemed more enchanting than the present.

MapWe weren’t going to a beach resort, but to the mountains in Switzerland. Our last trip to this region was in the winter of 2002, when we walked along a snow-covered trail carrying umbrellas (it was snowing) until my toes froze and we had to take the mountain train for the remaining distance. In summer the Bernese Oberland landscape is vastly different; I looked forward to this one.

At the Swiss border, in Basel, the bored customs official waved us through – an unusual gesture. Most often, we were stopped and asked for our passports. On some occasions the passport check was followed by a few questions: where are you headed? Why? Carrying any food products? The last question, which surprised us initially, was to identify people who buy food products in neighbouring countries and sell them at a higher price in Switzerland. Last year, on our way to Venice, we were carrying a bag full of rations and vegetables we needed for our week’s stay at the cottage where we intended to cook; by good fortune, the check on that day involved only passport verification.

Jungfraumap

After Basel the landscape changed – green meadows dotted with thick sloping roof cottages, with patches of pine trees adding a darker shade of green – and so did the music – Bhupinder made way for The Very Best of Eagles. At Interlaken, a city which takes its name from its location in between two lakes, Brienz and Thun, we left the highway and began our ascent into the mountains. Half an hour later we reached our hotel Staldten, which was situated at the apex of a hairpin bend a few kilometres from Grindelwald. It was almost 9 pm, and darkness was setting in, but there was enough light for a photo of the hotel from the parking lot situated opposite. As I framed the picture a train passed above us, and the chill in the air suddenly brought to mind something I had missed while packing: a jacket. The summer heat in the plains can be deceptive; this region seemed to be in a different climate zone.Hotel

The hotel, a largish cottage with a restaurant in front and a few rooms at the back, appeared to be a family-run place. A plump blonde girl welcomed us with her rudimentary English laced with a Swiss accent, and led us to our room behind the restaurant. It was a small room with a window that opened into a backyard, and the hillside that faced us was thick with vegetation. I opened the window to let in some air; instantly, the roar of the nearby mountain stream came rushing in.

After resting a while we drove to the nearby town of Grindelwald. It was dark outside, and lights from houses on nearby mountain slopes glimmered like low-hanging stars in the sky. The well-lit town centre, with its signs for hotels and restaurants, was surprisingly empty for a summer Friday evening. We parked opposite some restaurants and walked over to check the menu: typical German cuisine, with little vegetarian choice. I enquired and learned there were a couple of pizzerias ahead. The short walk to the nearest pizzeria took us past shops displaying sports wear, camping equipment, cameras, Swiss watches and knives. At one window with cameras we looked at the price of a Canon EOS 300D. The label read 990 Swiss Francs; much cheaper than a year and half ago, when I purchased the same model.

The pizzeria we entered was empty, but we had barely seated ourselves when a large groupBillstub_2 entered. They looked for a place suitable for all to sit together, and finding none, one amongst them asked if we could shift to another side. We agreed, following which they wouldn’t stop thanking us. Every other person, crossing us on their way to the seat, stopped by to express their gratitude. They were Germans, of course.

The long drive had left us hungry. Colours, with her sharp presence of mind on any food related matter, remarked that we ought to order before the large group did, unless we didn’t mind waiting until midnight for our pizzas. I took her hint, and our order arrived before hunger could consume us.

* * *

Mistrising_1I woke up next morning to find an overcast sky. From the window, I spotted a layer of mist rise above the trees on the mountain.

At breakfast, the courteous middle-aged lady led us to a table she’d kept ready for us. Coffee? she asked. No, orange juice. Over breakfast I browsed through a hiking brochure that contained an overview of the possible hiking routes. We decided to take a bus or cable car to a place named First, and then hike to Waldspitz via BachAlpSee. We’d seen a picture of BachAlpSee in our guidebook: a group picnicking on the green meadow next to an alpine lake, with snow-covered peaks towering ahead. A place one wouldn’t want to miss; but then, don’t most travel brochures evoke similar emotions?

We checked out soon after breakfast. Before leaving, I enquired on how to reach First from Grindelwald; the lady went inside and came back with a more detailed brochure. Then, with the charm and expertise of a travel agent selling me a trip, she explained that since there was no bus to First, I should park in the lot next to the church at the end of town and take a short walk to the cable-car station, and on the way back we could either take a bus from Waldspitz or the cable-car from Bort. “You keep the brochure – it has nice pictures” she said with a warm smile. “And wish you a nice stay in Switzerland !”Hillside1

We drove again to Grindelwald – this time in full view of the surrounding mountains, with vast expanses of green and clumps of white where low-hanging clouds hid among trees – and parked in the same lot as the previous evening. As we were parking for the day we had to purchase a ticket. At the vending machine I dropped a coin into the slot, but it simply rolled out. On closer examination, I found the electronic display showing an “Ausser Bettrieb” – out of order – sign. A young man with Chinese features standing behind me remarked that the machine at the other end was out of order as well. None of the cars had any ticket on them; it meant we would get a free day at the parking lot.

Street1I bought a jacket in one of the sportswear shops, and we then walked towards the cable car station. The rain-washed street was flanked on both sides by wooden houses with dark, sloping roofs and balconies decorated with colourful flowers; shops displayed Swiss knifes, watches and postcards with alpine views; a mountain loomed up ahead and the air had a slight chill; there were tourists all around, carrying cameras, hiking equipment, or kids that refused to walk – it was a scene you would find in any Swiss alpine resort.

At the cable-car station in Grindelwald, the lady at the ticket counter explained all possible transport options (although her job was only to sell cable-car tickets). “Take care in this part of the hike,” she said, pointing to a map she had spread out. “It is a stony path – nothing dangerous, but just be a little careful while walking.” I thanked her and collected the tickets. The hospitality you encounter in Switzerland makes the experience more memorable. No wonder this country offers the world’s best hotel management courses.

As the cable car ascended the sky cleared a little, but at First the mist brought down the visibility to no more than a few metres. Outside the cable-car station at First, we spotted outlines of a sign indicating different paths: our initial destination was BachAlpSee, around an hour away.

It wasn’t cold, and that made the mist acquire a quality of mystery and filled within us a sense of adventure. Beyond a few metres of our path and parts of the surrounding green meadows, we could barely see anything. Soon we heard bells – cowbells – in the distance; a few minutes later cows materialized out of the mist.

Walkinginmist“Do you know why the cows here have bells tied to their necks?” I asked Colours.

“Why?” she enquired, expecting an earnest reply.Cowbell1

“So that hikers don’t bump into them on misty days.”

The mist had a slippery character: it would come and go with a speed that left me fumbling with my camera to capture clear moments in between. After a while when the mist lifted, we found ourselves surrounded by miles of green meadows and hills, with taller mountains in the distance. The path wound through the green hillside spotted with dried up flowers, and below us we saw the mist rising once again.

Greenvista1The green hillsides all around us seemed part of a natural landscape, but they were in fact cultivated. I was surprised when I read this on a previous visit to Switzerland. It was a signboard at a cable-car station that explained how nature, agriculture and tourism were dependent on each other:

“The cultivated landscape created by man increases the natural variety and individuality of the mountain region. A rural, cultivated landscape is attractive to visitors and a reason why many guests return year after year. The open landscape, cleared of forest, is a pre-requisite for attractive ski runs; its maintenance needs a local workforce.

The patterns of agricultural work and tourism are complementary. Tourism provides additional sources of income for the part-time farmer. Tourism makes an important contribution to the preservation of mountain agriculture. Where once there was only forest you now find flower-decked meadows and a landscape divided by hedges and clumps of trees.”

This unique blend of tourism, agriculture and nature had achieved the right balance necessary to keep this ecosystem thriving in an organic manner.

It progressively got colder as we walked, and when we reached BachAlpSee the wind made it worse. It wasn’t the warm, picnic weather we had seen in the photograph (and the clouds obscured the Alps), but nestled among the green hills in a remote place two thousand metres above sea level, this small lake carried a charm I associated with stories about Himalayan lakes.Bachsee Shaped like an oyster, the lake had a bluish-green colour, and the surrounding mountains made it seem like a source for streams flowing down from here. But there probably were other streams feeding this lake at the far end.

I walked down to the edge and found the water warmer than I had expected. There were no signs forbidding swimmers; perhaps on warmer days people did take a swim. The place was remarkably free of tourists – I saw only about half a dozen people around us; some were sitting and munching sandwiches, and some others, like me, were taking pictures.

FlowerWe spent around ten minutes at the lake before the cold wind led us away from this calm, beautiful location towards our next destination: Waldspitz. This time we chose the narrow, unmarked path on the other side of the valley we had climbed. The route was labelled blumenweg: at the right time in summer, the path wound through hillsides covered with bright flowers. Presently most of them appeared burnt and dried, and a few fresh ones that were left had little impact on the vast green that dominated the landscape.

Mistvalley

It was a wet, muddy path scattered with stones. Soon the mist caught up with us again, and so did the cows. We spent the next hour slowly walking through the mist listening to rhythmic clink of the cowbells, and these two elements formed the essence of the hike. In between we would stop to absorb the surroundings, and on one such occasion we were startled by a rooster’s scream. Looking ahead, we saw the outlines of a barn slowly emerge through the mist, a barn with a portico where a cock and a few hens were strutting around. The barn had an electrified fence around it, and our path led straight into this fence. “Waldspitz”, a board said, pointing below the wire that ran across the fence. We bent carefully and crossed to the other side (although Colours, a good twelve inches shorter, found it much easier than I did). Inside, we walked past a dog that silently watched us with hungry eyes. The path soon joined a marked trail, and brought us much-needed relief.

Mistyslope

When we reached Waldspitz – a “village” with a single cottage that housed a restaurant – we were both tired and hungry. The next bus was an hour away, which left us enough time to fill ourselves with hot vegetable soup followed by Rösti (potato) with tomato and cheese. The cheese, like most cheese I’ve tried in Switzerland, smelled strange, but after a while I found I had finished half the plate with little difficulty. Did I get used to the smell, or did my hunger make me ignore it? Only my next encounter with Swiss cheese will tell. Bus

The bus ride to Grindelwald, winding through a narrow road surrounded by pine trees, took forty-five minutes. Grindelwald was hot – the car indicated twenty-four degrees Celsius – and after picking up some cool drinks we started towards Lausanne.

[Have you, like me, wondered how the memory of a place creates a more intense sense of attachment than the act of being physically present in the place? Do you, like me, sometimes live more in memories than in the reality that surrounds you? Do you go about collecting experiences, just as I sometimes do, not for the experience in itself but for the memory it allows you to go back to later? Are you, like me, afraid that memories you would long to recollect someday would be erased as time goes by? And is that why you, like me, blog, collecting these pieces of memory you could later look at? If you answered yes, I would be least surprised.]

Communication

Your response was unexpected, and hence, a pleasant surprise.

Writing to one another through blogs has been done before – I had written about one such encounter last year – and while it forms a charming little alternative to the usual blog-post, I think it is a difficult model to sustain over a longer period: keeping it interesting enough for other readers wouldn’t be an easy task. What would be worth considering, though, is the idea of taking forward Samuel Pepys’s diary-blog into the plane of letters: to publish an intense correspondence between two individuals as separate blogs, with each letter as a post, thus serializing the correspondence into instalments spread over a few years. There are many candidates for such an undertaking, and a few readily come to mind: the correspondence between Katherine Mansfield and her husband, which offers an intimate view of the person behind all those brilliant short stories you must surely have read; the letters exchanged between writer Nayantara Sahgal and E.N.Mangat Rai, whom she eventually married.

I wouldn’t be surprised if something like this has already been attempted in the blog world. But what I am experimenting with in this space is of a different nature. My attempt to bring the “you” into a post has its roots in the difficulty I faced trying to write a diary entry addressing no one in particular. And once the “you” came in, idea to address a particular “you” occurred, which I found exciting enough to pursue immediately. The mention of specific events, I reasoned, would probably make readers wonder if there really is someone I’m writing to, and in some cases that particular “you” might – just as you did – take up the thread and continue it further, leading to unforeseen possibilities.

I’ve addressed two people so far, and intend to intermittently address many more (not necessarily in response to emails), while at times addressing no one in particular. I do not know where it will lead to, but on this occasion I’m thrilled it was taken a step further – thank you, for writing in a similar vein.

Back to earthly matters. I’ve just returned from a weekend trip to Switzerland, and shall soon write about it. The pictures of our hike reminded me of others I’d seen in the past: your Himalayan trek, the Zion trek of our friend in Chicago, and photos of Ladakh from yet another common friend. It was the difference in landscape between these locales that struck me – take a look at the snap below, and you’ll understand.

Tobachalpsee

A Reply

You pine for the city that was once made of seven islands, and you are not alone. Another friend, who now lives in the city people some years ago likened to a large garden, has similar emotions. Yet another, after a not-so-pleasant stint in a city labelled with aristocracy, is back to living by the sea, and cannot stop talking about it. And I, never having known a city, long for such obsessions.

You wrote to tell me that you shall soon encounter Snow, after putting An End To Suffering. You will be curious, then, to learn more about the one whose Name is Red. Read on – I shall not betray anything that robs your reading experience.

Among other things, My Name is Red is about an encounter between two radically different cultures. It speaks of a time when the culture of Islam, at its heights in the Medieval Ages, is struggling to hold on to its beliefs threatened by the diametrically opposite culture of the West, of Christianity. The illuminators, who for centuries followed strictly orthodox practices and painted the world “as seen by Allah”, are awed and shocked in equal measure when they encounter portraits of living men and women in houses of Venice. Describing a scene where he is left alone in a gallery of portraits in a Venetian house, an old master tells his apprentice:

“….I saw that these supposedly important infidels had attained their importance in the world solely on account of having their portraits made. Their likenesses had imbued them with such magic, had so distinguished them, that for a moment among the paintings I felt flawed and impotent. Had I been depicted in this fashion, it seemed, I’d better understand why I existed in this world.”

Hearing these words, the apprentice understands the master’s fears.

He was frightened because he suddenly understood – and perhaps desired – that Islamic artistry, perfected and securely established by the old masters of Herat, would meet its end on account of the appeal of portraiture.

And the master continues to express his own desire to “feel extraordinary, different and unique.” He hates it, and yet finds himself drawn towards it:

“It’s as if this were a sin of desire, as if growing arrogant before God, like considering oneself of utmost importance, like situating oneself at the centre of the world.”

The conflicts brought by this exposure of Islam to the ways of the West may have started in the Middle Ages, but continues even today. Is it, I wonder, because of the exclusivity preached by this faith? Is it because it does not embrace other ways of life? Is it because it says, unequivocally, that there is no God but Allah?