Cap San Diego



On Friday, on board a museum ship docked at Hamburg, I met Ernest Hemingway. He was sitting inside a small cabin with a window that opened to the visitor’s path. The cabin exterior had posters detailing museum tariffs and bulletins, and inside, on his desk, there sat a few devices with earphones, audio guides to go with a museum tour. The man, portly, grey-haired, and bearded, was turning the pages of a girlie magazine, and he wasn’t pleased to see me.

I had come for a reading, and I was early: the Harbour Front Literaturfestival event would not begin for another hour. The ship, Cap San Diego, which I reached by crossing on foot the Überseebrücke, was a permanent fixture on the harbour, and despite the water all around, despite the ominous grey warship docked alongside, despite the wind and the rain and the seagulls cawing, I did not have the sense of being on a ship. There was no one around when I climbed up the gangplank, and on the vacant main deck this solitary man in his cabin was the first person I had seen since I left the shore. He looked at me with a penetrating gaze, his large forehead dominating a seaman’s face weathered by adventure: a striking resemblance to Hemingway I could not put aside.

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