Deneuve was the first Namibian I spoke with. He was also the last. On the first occasion, he came up to me as I exited the Hosea Kutako International airport, asked if I wanted a taxi, and ushered me into his Volkswagen Jetta. He was in his late twenties, a coloured man of medium height and build, with a chin strip goatee beneath a pencil moustache. He was not a chatty driver. When I commented that his English was excellent, he smiled, and returned the compliment. On the forty-minute drive to Windhoek he answered my questions perfunctorily: his father lived in Cape Town, his mother in Windhoek; he could surely earn more with a desk job, but preferred to work outdoors and be on the move; on weekends he shopped at the mall, spent time with his girlfriend, and watched football; he was a Liverpool fan.
On the second instance, as he drove me to the airport for my flight back to Germany, he spoke of the kudu’s habit of charging at cars when caught in the headlights. Once, when he met a herd beside the road, he slowed to a crawling pace, turned off the headlights, and held his breath as he passed the antelopes. These days there were fewer animals along this stretch to the airport. A lone fox trotting across the road was our only sighting.
A fortnight and two days separated these conversations, a time I spent — with my wife P, who joined me after a brief halt in South Africa — driving in the desert and along the coast. I left Namibia with a full notebook, a camera carrying something of the vast nothingness, and sand in my ears, under my fingernails, all over my shoes.
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For most travelers venturing into the interior, Windhoek is only a stopover, an entry-exit port and little more. But we had planned a couple of days here, to slow down and absorb something of the city’s character.