Planning the India trip



On a Sunday morning not long ago, Wife and I sat together facing the computer, peering at the Excel sheet we had created the day before. A four-week trip to India was looming ahead, and our itinerary was still open. At the workplace this activity might be called Collaborative Vacation Planning. But “Collaborative” conveys an egalitarian spirit; it hints at a balanced, amiable, and constructive atmosphere. The situation at home was different. Wife was the project lead, the chief authority, one who took all decisions; I followed orders, compiled notes, drafted the plan. All accountability, though, was mine. If anything were to go wrong, my head would be on the chopping block.

The first column of the Excel sheet enumerated dates from mid-December to mid-January; other columns contained variations of plans (titled Plan-A, Plan-B, and so on, until F) that listed, for each of those dates, the cities we would be in: Bangalore, Chennai, Trivandrum, Kochi, Trichy, Tanjavur, Mumbai. Wife and I considered the alternatives, spoke to my sister in Bangalore, and a couple of hours later we settled on Plan-B. (Plan-B: right from the start there was something inferior to it, like a compromise you’d settle on when Plan-A doesn’t work. A bad omen.) My sister consented to book our flight and train tickets across this network of cities, and we began to look for accommodation.

This, we soon learned, was the easy part. Next came the task of choosing what to do on which date: whom to call on, whom to invite, what event to cover, which place to visit. So we created another sheet and wrote down all of it: people, places, events. A ‘Priority’ column was added, some items were tagged “Must Do”, others “Important”, and yet others “Nice to do (else Mom will feel bad)”. This last set consisted mostly of visits to all my uncles and aunts in Bangalore, an agonizingly long list of siblings my mother had inherited long ago.

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Two letters



In October I found an unusual white envelope in my letterbox. Our address, written with a pencil, was spelled out in block letters by an unsteady hand. The sender’s address, pencilled in a similar but smaller script at the top left corner, solved the puzzle: it was my nine-year old nephew in the US. In his hands, Heidelberger Strasse had become Heidelburger strasse, a charming little slip that brought to mind his insatiable appetite for fast food. Opening the letter I found – on an A4 size printed page with his handwritten words in the beginning, next to the salutation, and at the closing, signing off with “love…” – a request to help him with a project at school.



Dear Perappa,

This fall, as a fourth grader at xxx Preparatory school, I will be studying my background and my family. As part of our project we are writing to relatives to find out what their lives were like when they were our age.

My letters will be part of my Ethnic Pride family scrapbook.

Please write back and tell me about your earlier years. Where were you born? Who were your family members? What are your memories of school? Games? Toys? Pets? Chores? Vacations?

Please write back by November 26th. Thank you for your help with my project.

Love,

Your nephew R.



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Kino stories



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1. Karlstorkino, Heidelberg

At the Karlstorkino in Heidelberg, behind the counter in the tiny foyer that divides the entrance from the small movie hall, the woman with dark hair and dark eyes says she does not have a Coke. She names another drink whose name I don’t catch. It’s like Coke, she says, almost apologetically. The beginning of the film is a quarter of an hour away. I pick my drink and flip through pamphlets and cards advertising upcoming titles. Posters on the walls hold frames from movies I have never heard of, but this is unsurprising: they customarily screen not mainstream movies but obscure titles ignored by the rest. Three young men, all blond haired, enter the foyer. One of them is barefoot. The kino is close to some altstadt apartments where university students live – this man may have just crossed the street to get here. Still, it is refreshing to note this streak in a German. The hall, accomodating not more than thirty seats, is half empty when the movie begins. I sip my Coke-like drink and sink into the cushioned folds as the title flashes across the screen: Guilty of Romance.


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Family matters




At my workplace the role of a team secretary is not insignificant. Setting up meetings and workshops, booking rooms and external venues, approving leave requests, handling business-travel queries: these tasks keep the secretaries busy, and the rest of us away from administrative affairs. Their office is a hub of activity, its traffic a barometer of the team’s progression. In August, when most Germans pack their bags and travel South, the room goes quiet; activity rises in September and peaks in early December when everyone is at work, waiting for the Christmas break. The secretaries, well aware how much we depend on them, usually plan ahead and ensure their vacations do not overlap. It is a steady job, a function that sees little attrition: they remain with the same executive for years, even following the boss to other areas of the company. So when I learned, not long ago, that our new team secretary would soon leave, the news took me by surprise. Less than four months had passed since E joined us. She got along well with everyone; her relaxed mien and her readiness to smile gave the impression she was happy with her job. What had happened?

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Nietzsche at the flea market




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On a weekend not long ago I visited the flea market in town. It had sprung up on Schwetzinger strasse, a narrow one-way street I use everyday on my drive to work. Spots on either side where cars are parked on a normal day were now taken up by long tables spread out with odds and ends, and behind these tables sat the sellers, old women with striking hairdos watching passers by with indifferent eyes, and behind the women stood their cars, small Volkswagens or Renaults, reconditioned versions of a long-obsolete model, as though these old automobiles were also up for sale. Walking along this familiar street now flaunting an altered character was like traveling forward or backward in time, into a future or a past that was vaguely familiar and yet whose contours and rhythms I could not identify.



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